Obliquity of the impastoed being

In this article we will try to elaborate a reflection around aesthetic experience, more specifically phenomenology of artwork (Soutine/de Kooning), in dialogue with Emmanuel Falque's thought. Even if the French philosopher has not yet dedicated an autonomous work question, such appears abundantly dispersed and sparse his various writings. Among others, Francis Bacon Lucian Freud were artists choice, their most closely reflected underlying philosophical thesis. The preference for figurative, that which us resists phenomenology, incarnation as such, would thus bring concept artistic intuition closer together. However, between figurative non-figurative or abstract thought, is there another possibility thinking them together, without necessarily having give primacy one other opposing them? idea oblique incarnate thought (figuration-abstraction, resistance-deflagration, word-silence), diagonal/oblique impastoed being (presence absence, metamorphosed transcendental materiality, indirect ontology), might also be third way about great questions realism idealism, immanence transcendence, visible invisible, metaphysics phenomenology. sense, Chaïm Soutine de Kooning may expression primordial access being, world another, joining act abstract, multiple possibilities dimensions inhabited same (the articulation in-itself outside self, madness normality, dream reality...). Not by chance both subject recent joint exhibition, from propose reflection, on finitude, book radicalises. Our thesis, based these two artists, aims affirm art, whether starts inalienable material dimension, say, sensitive impasted (body) point say Hors phénomène maintains itself presence self distance proximity, even here can glimpse its project ontological figurative. our view, what brings together Falque’s philosophy fact they are embodied through conceptual experience (philosophy) perceptual (aesthetics).